I live in a cannabis-music nexus. A cannabis-music nexus is a place where marijuana-enhanced music listening transforms the conventional act of “listening” into a much deeper, more holistic, enlightening and elevating mind and body musical synergy. In other words, it is a cannabis-infused, music-focused state of mind that makes listening to, watching, performing and contemplating music a purely enjoyable and illuminating experience.
I expect cannabis dispensaries to employ knowledgeable, energetic, customer-service savvy budtenders who’ll reciprocate my enthusiasm and fulfill my product needs and service expectations. I prize those exceptional budtenders who transform my dispensary visits into cannabis bonding sessions where I can learn the latest product and industry news and make thoughtful purchases.
Note: This is the fourthinstallment in my series about heady, cannabis-friendly music, drawn from the clips I’ve posted on Swedish Flying Saucer’s Instagram feed.
16. Max Frost & The Troopers – The Shape of Things to Come (1968)
Max Frost & The Troopers’ “The Shape of Things to Come” is a fierce 1960s anthem by the fictional band at the center of American International Pictures’ 1968 teen rebellion film Wild in the Streets. The shock-cinema spectacle tells the story of Max Frost, an idealistic rock and roll lead singer who becomes involved in politics until all turns to chaos when the band’s fanatic followers take to the streets.
GG#4, also known as Gorilla Glue #4 or Original Glue, is one of the most reliably effective cannabis strains available for ameliorating pain and promoting physical relaxation. While many Indica strains are known simply for their ability to induce sleep, GG#4, a hybrid strain, is notable for promoting mental and physical relief through pain-management and holistic comfort, making it useful as both a daytime and nighttime palliative. The “Glue” in the name Original Glue refers to the way the strain “glues” the user to the couch by loosening and unwinding muscular tension. The popular GG#4 can be found at local dispensaries and is available in a range of varieties including flower, concentrate, extract, dry sift and more. Continue reading “Strains in the Spotlight: GG #4”
Note: This is the thirdinstallment in our series about cannabis-friendly music. The order applied to the videos & clips isn’t a ranking, but simply follows the order of posts on our Instagram feed. All you need to know is that this is heady, cannabis-friendly music.
11. Kicking off the third set of cannabis-friendly music videos is a short film featuring the song “The Ballad of Evel Knievel” as an accompaniment to an interpretive recreation of Evel Knievel’s many ambitious motorcycle jumps (most of which were punctuated by ill-fated landings). Evel was on television throughout the 1960s and 1970s, usually featured in an ABC Wide World of Sports special. The jumps varied in setting, from a cache of 18-wheeler trucks to the Caesar’s Palace fountain, to Snake River Canyon and beyond. Evel was more than ambitious; he was relentless. Relentless because he wasn’t always successful and he endured many serious, bone-breaking injuries, yet he still continued jumping.
The term “house weed” is generally applied to generic, basic, inexpensive cannabis that a dispensary offers patients and customers (usually in joint form) as part of a premium or first-time customer bonus. One dispensary manager gave me a house joint “on the house” in recognition of a review I posted about his store. I graciously accepted the gesture, but I’ve put the joint aside as an absolute last resort should the home stash run dry. At a time that so many different strains and varieties of cannabis products are readily available, many with potencies twice, three times and in some cases, four times as high as even the dankest flower you’ll find on dispensary shelves, we’re left to wonder why, with so many effective options, would any cannabis user even want “house weed”?
When I obtained my medical marijuana referral and became a legal cannabis consumer, I began viewing cannabis in terms of how it might ameliorate my maladies. Insomnia topped the list of imbalances for which I sought relief, and I quickly familiarized myself with the soporific qualities found in indica dominant strains. Indicas seemed to help with other issues like anxiety, indigestion, and back pain, which is probably why the best indica strains always seem to be in short supply. Indicas tend to have higher potencies as well, making them a popular recreational choice. There were plenty of sativa offerings available at my local dispensaries, but I was looking right past them.
The 13th Floor Elevators’ inception narrative is anything but immaculate. The group reconstituted the best of two pre-existing Texas bands: The Spades, featuring front man, Roky Erickson, and The Lingsmen, including Stacy Sutherland on guitar, John Ike Walton on drums, and Benny Thurman on bass. The Spades were a typical 1964 post-Beatles/Stones/Kinks Austin garage band holding “residency at Austin’s Jade Room club” (scarletdukes). The group’s single, released the following year, featured the original version of “You’re Gonna Miss Me” (and an early version of the Elevators’ “Don’t Fall Down”, called “We Sell Soul”). The Lingsmen were not of the Austin scene and were not a recording band. They were “a jug-oriented club band” hailing from a small West-Central Texas rural enclave called Kerrville, about 100 miles from Austin (scarletdukes). The future 13th Floor Elevators would later retreat to this hill country refuge whenever Austin “was no longer regarded as a safe haven” for their illicit activities (Eye Mind, 215).
For this week’s field trip, I checked out a local, compliant dispensary called Zen NoHo pre-ICO. This was my first time shopping for meds at Zen NoHo and it was an impressive experience. Their customer service was excellent, the interior was clean, roomy and orderly, the inventory was just the right balance of quality and quantity, and the location is easily accessible. Continue reading “Calm and Concentrates at Zen NoHo”